![]() The ultimate news source for music, celebrity, entertainment, movies, and current events on the web. It's pop culture on steroids. 10 Stunning Occult Photos! Old Mysterious Photos that will Haunt Your Dreams; The Jamison Family Mystery: America TVGuide has every full episode so you can stay-up-to-date and watch your favorite show The Vampire Diaries anytime, anywhere. Possession (Byatt novel) - Wikipedia. Possession: A Romance is a 1. British writer A. Byatt that won the 1. Booker Prize. The novel explores the postmodern concerns of similar novels, which are often categorised as historiographic metafiction, a genre that blends approaches from both historical fiction and metafiction. The novel follows two modern- day academics as they research the paper trail around the previously unknown love life between famous fictional poets, Randolph Henry Ash and Christabel La. Motte. Possession is set both in the present day and the Victorian era, pointing out the differences between the two time periods, and satirizing such things as modern academia and mating rituals.
The structure of the novel incorporates many different styles, including fictional diary entries, letters and poetry, and uses these styles and other devices to explore the postmodern concerns of the authority of textual narratives. The title Possession highlights many of the major themes in the novel: questions of ownership and independence between lovers; the practice of collecting historically significant cultural artifacts; and the possession that biographers feel toward their subjects. The novel was adapted as a feature film by the same name in 2. In 2. 00. 5 Time Magazine included the novel in its list of 1. Best English- language Novels from 1. Following a trail of clues from letters and journals, they collaborate to uncover the truth about Ash and La. Motte's relationship, before it is discovered by rival colleagues. Byatt provides extensive letters, poetry and diaries by major characters in addition to the narrative, including poetry attributed to the fictional Ash and La. Motte. A. Byatt, in part, wrote Possession in response to John Fowles' novel The French Lieutenant's Woman (1. In an essay in Byatt's nonfiction book, On Histories and Stories, she wrote: Fowles has said that the nineteenth- century narrator was assuming the omniscience of a god. I think rather the opposite is the case. In 'Possession' I used this kind of narrator deliberately three times in the historical narrative. He secretly takes away the documents . The trail leads him to Christabel La. Motte, a minor poet and contemporary of Ash, and to Dr. Maud Bailey, an established modern La. Motte scholar and distant relative of La. Motte. Protective of La. Motte, Bailey is drawn into helping Michell with the unfolding mystery. The two scholars find more letters and evidence of a love affair between the poets (with evidence of a holiday together during which . At the same time, their own personal romantic lives . The stories of the two couples are told in parallel, with Byatt providing letters and poetry by both of the fictional poets. The revelation of an affair between Ash and La. Motte would make headlines and reputations in academia because of the prominence of the poets, and colleagues of Roland and Maud become competitors in the race to discover the truth, for all manner of motives. Ash's marriage is revealed to have been unconsummated, although he loved and remained devoted to his wife. He and La. Motte had a short, passionate affair; it led to the suicide of La. Motte's companion (and possibly lover), Blanche Glover, and the secret birth of La. Motte's illegitimate daughter during a year spent in Brittany. La. Motte left the girl with her sister to be raised by her, and passed off as her own. Ash was never informed that he and La. Motte had a child. As the Great Storm of 1. England, all the interested modern parties come together at Ash's grave, where they intend to exhume documents buried with Ash by his wife, which they believe hold the final key to the mystery. Reading them, Maud learns that rather than being related to La. Motte's sister, as she has always believed, she is directly descended from La. Motte and Ash's illegitimate daughter. Bailey thus is heir to the correspondence by the poets. Freed from obscurity and a dead- end relationship, Michell remedies the potential professional suicide of stealing the original drafts, and sees an academic career open up before him. Bailey, who has spent her adult life emotionally untouchable, finds her human side and sees possible future happiness with Michell. The sad story of Ash and La. Motte, separated by the mores of the day and condemned to secrecy and separation, has a kind of resolution through the burgeoning relationship between Bailey and Michell. In a brief epilogue, it is revealed that both the modern and historical characters (and hence the reader), have for much of the latter half of the book, misunderstood the significance of one of Ash's key mementoes. Reception. Byatt is a writer in mid- career whose time has certainly come, because Possession is a tour de force that opens every narrative device of English fiction to inspection without, for a moment, ceasing to delight. Byatt's canny invention of letters, poems and diaries from the 1. It's the warmth and spirit that Byatt has breathed into her characters rather than their cerebral pursuits that makes us care. The film differs considerably from the novel. April 2. 00. 3, Retrieved 3. October 2. 01. 2^ ab. Parini, Jay. Retrieved 2. October 2. 01. 4. Byatt On Histories and Stories (2. The Guardian 1. 9 June 2. Retrieved 1. 9 October 2. Yeah, Says Neil La. Bute. British Broadcasting Corporation. Byatt, Possession: A Romance. In Contemporary British Fiction (Edinburgh: Edinburgh University Press, 2. ISBN 9. 78- 0- 7. Wells, Lynn K. Byatt's Possession: A Romance. MFS Modern Fiction Studies.
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